STANISLAV
IOUDENITCH, PIANO
Featuring his Family and the Accorda Quartet as guest artists
TUESDAY
FEBRUARY 3, 2004
8:00 pm
Belhaven College Center for the Arts
835 Riverside Drive
Jackson, Mississippi
Stanislav Ioudenitch:
*Gold Medal Winner
of the 2001 Van Cliburn International Piano Competition
*Carnegie Hall Debut ~ April, 2003
*Gold Medal Winner of the Wideman Piano Competition, 1998
"The world will continue to watch Ioudenitch with tremendous interest.
He
possesses much of the disciplined extravagance and genuine artistic
maturity that traditionally sets great artists apart from simply brilliant
ones."
--Paul Horsley, Kansas City Star
This extraordinarily
brilliant pianist makes a return visit to Jackson, having given the
inaugural recital to launch the Belhaven College Center for the Arts
in Oct., 2002. Stanislav's return visit will feature his highly gifted
family. His mother, traveling from her native Uzbekistan, the virtuoso
pianist Marina,
Stanislav's seven-year-old pianist daughter Maria will play as well
as her mother, Stanislav's wife, the superb pianist, Tatiana.
"A musician
of aristocratic elegance and imagination, he makes everything fresh,
finding revelatory facets and emotional dimensions without ever imposing
anything
foreign."
--Scott Cantrell, Dallas Morning News
"Everything
is marked by a laser like clarity and cleanness. His command of
octaves, passagework, trills, repeated notes-the whole arsenal of virtuoso
fireworks-
is complete. And this technical accomplishment is entirely at the service
of a
probing musical intellect."
--Ellen Pfeifer, The Boston Globe
_______________________________
"A musician
of aristocratic elegance and imagination, he makes everything fresh,
finding revelatory facets and emotional dimensions without ever imposing
anything foreign."
--Scott Cantrell, Dallas Morning News
"Everything
is marked by a laser like clarity and cleanness. His command of
octaves, passagework, trills, repeated notes-the whole arsenal of virtuoso
fireworks-is complete. And this technical accomplishment is entirely
at the service of a probing musical intellect."
--Ellen Pfeifer, The Boston Globe
Mr. Ioudenitch's previous
concert in Jackson, October, 2002 (also presented by the Thalia Mara Foundation)
was also marked by exceptional acclaim
excerpts below of a review
posted in the Northside Sun by Edward Dacus, professor of
music at Mississippi College.
Adjectives inadequate
to best describe Ioudenitch's concert!
"Words that
come to mind after hearing Mr. Ioudenitch perform include spectacular,
phenomenal, and unbelievable, but even these adjectives are inadequate
to describe the truly beautiful and moving music-making which the audience
was privileged to
hear. One is often struck by technical prowess at the piano, but Ioudenitch's
phenomenal technique served to give the listener a truly aesthetic experience
withhis demonstration of a vast range of emotion and tonal color at
the piano."
"
Following
the Mozart were Three movements From Petrouchka reworked for piano by
the composer Igor Stravinsky. The middle of three monumental balletscores
which exploit tonal colors and possibilities from the orchestra, the
piano score of Petrouchka is as demanding a work for piano as any. Mr.
Ioudenitch's presentation of the work was truly that of a conductor
conducting an
orchestra. Ioudenitch's achievement in his exploitation of the range
of tonal colors in this performance
was nothing short of astounding, and again, unbelievable. At risk of
sounding trite, it seemed that Ioudenitch has actually mastered each
orchestral instrument in the Stravinsky score so that he could so masterfully
perform these pieces at the piano, evoking the sounds of the orchestra
in the ballet score which is to many a pinnacle of orchestration. Ioudenitch's
various degrees of depression of the left pedal brought a vast array
of tonal possibilities from the piano, and one can only imagine what
could have been achieved by finely voiced hammers. The Stravinsky was
answered by an immediate and well-deserved standing ovation.
"
It
is gratifying to see that the solo piano recital is alive and well in
Jackson. Towitness firsthand an artist of the caliber of Stanislav Ioudenitch
is gratifying as well as humbling. In a day when far too much recognition
is often given to mediocre (at best) entertainment, it is refreshing
to observe an audience experiencing uncommon
talent whose potential has been truly realized.
--Edward Dacus, professor of music at Mississippi College